
I explore the body as both cosmic structure and sacred vessel. Transcending time and space I create from the knowing that art is not merely expression but transmission — a visual language of starlight consciousness, a geometry of remembrance, a frequency made visible.

My work emerges from a devotion to flow- the living current between body, soul, and Spirit.
Working across mixed media and multimedia, I create threshold-based works that explore how inner states of fragmentation, integration, erasure, and re-forming appear in form. Each piece becomes a site of listening, where movement and stillness coexist and meaning is allowed to surface without force.
My practice is informed by decades of embodied inquiry- meditation, sensory awareness, and somatic listening- grounding the work in lived experience rather than abstraction. I work in series, including Quietly Luminous, which reflects the convergence of Jungian psychology and devotional mysticism, particularly the dialogue between individuation and surrender.
This collection begins on a gray ground — not as a background, but as a field of integration. Gray represents the psyche after differentiation and, in devotional terms, humility: light that does not need to announce itself. Through layering, scraping, and erasure, the surface becomes a record of experience — what endures rather than what is erased.
Light and shadow play a central role in my practice. Through shadow photography and pareidolia-based perception, I explore how archetypal forms emerge and dissolve through time and movement. The hourglass shape — long upheld as an ideal of feminine beauty and expectation — becomes a threshold form, allowing time itself to move through the body as memory, continuity, and return.
The feminine form appears in my work as cosmological intelligence — honoring the women who carried memory, labor, devotion, and continuity across generations, while engaging the feminine and masculine energies that live within every person. In this way, the work restores relationship rather than division.
Each work functions as a threshold object — an invitation to pause, sense, and enter one’s own current.
The pieces do not offer answers.
They offer a space where flow can be felt again.

The hourglass form in my work holds sacred flow and inner truth. Through sacred geometry, and somatic presence, I reclaim the body as a site of knowledge, power, intuition, and light. Each piece bears the imprint of becoming—honoring the women before us and liberating the truths they were never allowed to speak.
We use cookies to analyze website traffic and optimize your website experience. By accepting our use of cookies, your data will be aggregated with all other user data.